目　录：

资讯+要闻
<展事动向>
4-5月展事热评 Comments on Exhibitions in April & May
6-7月新展先看 Exhibitions Will Be Held in June & July

<面孔>
里希特：一个真正信仰艺术者的迟到的展览
Richter: A Delayed Exhibition By Real Artist

劳申伯格：伟大的波普艺术家离世
Rauschenberg: Great Pop Artist Passed Away

展望：大制作的“园林乌托邦”
Zhan Wang: Grand Exhibition “Garden Utopia”

余德耀：宋庄奠基“新当代艺术中心”
Yu Deyao: Laid Foundation of “New Contemporary Art Center” in Songzhuang

张念：二十年等待，只为破茧而出
Zhang Nian: Waiting for twenty years, only for breaking the chrysalis

村上隆：入选《时代》百位最具影响力人物
Takashi Myrakami: One of the "100 most influential people" in “Times”

<图片故事>
一条街，许多的梦想凝结
——“艺术据点”北京22院街开街
A Street with Colorful Dreams
-“Art Base” Beijing 22 Court Yard Opened

当艺术邂逅时尚，你是否被“假象”迷惑？
When Art Meets Vogue, Are You Confused by The“Feint”?

<话题>
东南亚艺术：扶摇直上九重天？
Southeastern Art: Making A Figure?

Pace画廊进北京的宏观意义
The Macro Meanings of Peace Gallery’s Opening in Beijing


封面人物
自由男孩的魔法世界 文/宋歌
The Magic World of An Unfettered Boy by Song Ge

“小人物”的大智慧 文/寇明瑾
Wisdom of “Ordinary Man” by Kou Mingjin


双峰会
一些与艺术相干的事——徐可对话张恩利 文/徐可
Something Related to Art
-Dialogue Between Xu Ke and Zhang Enli by Xu Ke

大风景的文化逻辑与视觉方式的特性
——杜曦云对话尚扬 文/杜曦云
Cultural Logic and Visual Characteristics of Grand Landscape
-Dialogue Between Du Xiyun and Shang Yang by Du Xiyun

颠覆的价值——黄笃对话陈曦 编辑/王葳

-Dialogue Between Huang Du and Chen Xi by Wang Wei


风云专访
<公共> 吴鸿：多层面介入当代艺术的研发 文/寇明瑾
Wu Hong: Research and Develop Contemporary Art All-sided by Kou Mingjin

<艺术>
徐累：一个人的时代 文/宋歌
Xu Lei:The Times of One Person by Song Ge

我眼中的中国很神奇
——专访西班牙艺术家费德里克•阿玛特 文/宋歌
China in My Eyes is Amazing
-Interview with Federico Amarte by Sammy


点石待金
牟柏岩：艺术不分潮流 文/张慧子
Mu Baiyan: There is No Genre for Art by Zhang Huizi


艺术视点
是时候再谈谈“传统”了 特别策划/本刊编辑部
It’s Time to Talk about “Tradition” by Editing Dept. of This Magazine

罗素，1922 文/龙应台
Russell, 1922 by Long Yingtai

5种“传统”观
Five Opinions on “Tradition”

朱朱：
付晓东：用展览说话
Fu Xiaodong: Voice with Exhibition

胡斌：中国传统文化因素与中国现实问题
Hu Bin: Chinese Traditional Cultural Factors and Chinese Real Situations

李秋实：重要的不是“传统”
Li Qiushi: What Matters is Not “Tradition”

孙欣：当代性，是东方思维的一种象征
Sun Xin: Contemporary is A Symbol of Oriental Thinking


世界，世界
模糊的历史——里希特的艺术哲学 文/亚瑟‧丹托
翻译/子茹
History In A Blur: Richter’S Art Philosophy by Arthur C. Danto translated by Wu Ziru


阵中点将
朱金石、黄笃谈博伊斯
Zhu Jinshi and Huang Du Talking About Boyce

北京——雅典，雅典——北京 文/华沙
Beijing——Athens,Athens——Beijing by Hua Sha

当代摄影：是工具还是语言？ 文/孙宇龙
Contemporary Photography: Is It A Tool Or Language? By Sun Yulong


一幅画的诞生
翁奋•《骑墙：纪实与观念之间》 文/朱朱
Weng Fen: Ride on The Wall: Between Documentary and Conception by Zhu Zhu


新作著录
纯化语言的“公案”与孟禄丁的绘画 文/高名潞
A Case of Language’s Purification and Paintings by Meng Luding by Gao Minglu

等待破晓
——读张念新作 文/高千惠
Waiting for The Dawn
-New Work by Zhan Nian by Gao Qianhui

泄露中的反思
——郭伟的作品 文/魏星
Reflection of Dews in Pool
-Work by Guo Wei by Wei Xing


档案
非人之人和梦中之梦
——论李继开绘画 文/汪民安
Man of None-man And Dream in Dream
-About Li Jikai’s painting by Wang Min’an


李继开形塑“70后绘画”的深层本质 文/朱其
Li Jikai Illustrate Profound Essence of “Painting by Artists Born After 1970”
By Zhu Qi

李继开Q&A
Q&A with Li Jikai

李继开简历
Li Jikai’s Biography