新诗代-全球华语诗歌门户 首页 | 中国先锋艺术 | 诗人博客 | 诗歌论坛 | 诗歌新闻 | 诗人追踪 | 第一频道 | 新诗典藏 | 诗品文库 | 诗人访谈 | 诗书馆 | 诗歌翻译 | 诗人随笔 | 感动写作 | 推荐诗人 | 八卦诗闻 | 艺术资讯 | 展览信息 | 拍卖收藏 | 作品展厅 | 时尚频道 | 书画博览 | 艺术批评 | 先锋对话 | 综艺播报 | 视觉时代 |

新诗代
当前位置:>首页 -> 诗人档案 -> 国际诗人 -> 正文
Elisabeth Bletsoe
http://www.xshdai.com | 2008-03-14 11:54:24 | 新诗代 | 浏览:24

 

(UK, 1960)

 

“Elisabeth’s poetry is not just highly unusual, it is an anomaly. Although at times it has been generatively linked to new age concerns and at other times to linguistically innovative late modernism, her work is, in the modern context, healthily and excitingly independent. When I first encountered it, her work seemed to be a form of highly-charged symbolism, by which I mean Symbolism as in the French school. I remember arguing about this with her publisher, Derrick Woolf, who viewed her work more through the feminist mist of some of its subject matter. What can be agreed on, however, is that she is definitely a poet of place; location remains important to her work, whether the Cardiff of her ‘Regardians’ or the Dorset landscape of her Hardy-heroine sequences. These places are resolutely human, the scenes of a mental dynamism. The psychological aspect of her work runs deep, but its direction is different from that of other poets for whom the resonance of place and archetypes is important. This is because Elisabeth’s poetry seems more concerned with creating the conditions, through her use of language, in which the reader might share in the “wow factor” of whatever was inspiring the writer. The effect is important, therefore the focus is on the language, on the poetry itself, not on the original impetus. Her work is therefore neither transparent, nor mystical, just powerful, which is why in Britain it remains an anomaly. While having nothing ‘American’ about it, her poetry has more in common with American writers such as Robert Duncan.”  — Tim Allen, editor of Terrible Work.
 
Elisabeth Bletsoe was born and raised near Wimborne in Dorset. Having been taught to read at an early age, she developed a love of the myths, legends and folklore of many cultures. After working for some time with learning-disadvantaged adults, she studied psychology at Cardiff University, and Classical Studies, and also learned Welsh.

During her time as a postgraduate, teaching both undergraduate psychology at the University and Women’s Studies in the extramural department, she joined the poetry performance group Cabaret 246 which had been set up by the poet Chris Torrance.

After several years reading in jazz clubs and the city’s Chapter Art Centre, she co-founded, with Gill Brightmore, the women’s performance group Deadlier than the Male, which provided an alternative to the male-dominated culture that prevailed in South Wales at that time. During one of her solo readings, she met the publisher of Odyssey Poets Press, Derrick Woolf, who subsequently published three of her books.

In the early 1990s she obtained a history degree, studied the Russian language, taught a creative writing course in the Vale of Glamorgan and was published widely in a range of small press magazines in Britain as well as the USA, Japan, Estonia and Argentina. In 1995 she returned to Dorset where she now lives with the writer and translator Ian Taylor. She has continued to pursue her interests in plant medicines and is currently training to be a homeopath, while also being involved with the administration of Sherborne Museum. Her work is informed by her knowledge of botany, folklore, geology and history.


 

Tony Frazer  

 
Bibliography:

The Regardians: a book of angels
, Odyssey Poets, Somerset, 1993
Portraits of the Artist’s Sister, Odyssey Poets, Somerset, 1994
Pharmacopoeia, Odysssey Poets in association with Terrible Workpress, Somerset, 1999
Landscape from a Dream, Shearsman Books, Exeter, 2008

Interview:

Don’t Start Me Talking: Interviews with Contemporary Poets, Tim Allen & Andrew Duncan (eds.), Salt Publishing, Cambridge, 2007

Links:

Landscape from a Dream
Elisabeth's forthcoming title from Shearsman, her first collection in ten years.

More poetry at Crescent Moon
An extract from Ooser at Crescent Moon.
网摘(想收就藏): 新浪ViVi 搜狐网摘 365Key网摘 天极网摘 我摘 POCO网摘 博采网摘 和讯网摘 博拉网 亿友响享 I2Key网摘 百特门网摘 Google书签 Del.icio.us Yahoo书签 提交新发现,Dig it DIGG this story 添加到百度搜藏 添加到QQ书签



上一篇:Frances Presley
下一篇:Denise Riley
图片资讯
最新资讯 ↓

  • 评 论
称  呼:
内  容:

特别声明

凡注明“来源:新诗代”的稿件,版权均属本站所有,转载时必须注明“来源:新诗代-全球华语诗歌门户”。凡未注明“来源:新诗代”的文/图等稿件均为转载稿,并注明来源及出处。本站转载出于传递更多信息之目的,完全公益性,并不意味着赞同其观点或证实其内容的真实性。如其它媒体、网站或个人下载使用,必须保留本站注明的“稿件来源”,并自负版权等法律责任。若本站内容对你的权益产生损害,请联系本站(E-mail:xshdai@126.com),我们将在3个工作日内给予删除!

相关文章
站内搜索
关 键 字:
类    型:
特别推荐
诗歌在线
新闻热点


推荐文章

友情链接:中国先锋艺术 | 乡土中国 | 新诗代论坛 | 和讯读书 | 布衣书局 | 天涯社区 | 新浪读书 | 今天 | 起点中文 | 乡聚网 | 电脑报 | 奇虎体育 | 股城网
中国同学录 | 股天下 | 西陆社区 | 粉丝网 | 58分类信息 | 电玩巴士 | E族人 | MSN中文网 | 六间房 | 重庆房产 | 琥播网 | 诗生活 | 雅昌艺术网 | 人民网读书